Erick Johnson's "(Inside) Out" reviewed in The Washington Post

“Although blurred and scraped, the recurring shapes in Erick Johnson’s brightly hued abstractions are essentially regular. The New York painter calls them “calligraphic parallelograms,” which is evocative, if not literally accurate. Where calligraphy is drawn spontaneously, Johnson methodically applies pigment, partly removes it and then adds more. This yields streaked and layered forms, and results in such serene yet active pictures as “(Inside) Out,” which provides the title of the artist’s Gallery Neptune & Brown exhibition.”

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In the galleries: David X Levine uses pencils to put a new spin on an Old Master

“For centuries, artists either devoutly emulated or defiantly rejected the work of their predecessors. Contemporary artists such as David X Levine take a subtler approach, gleaning from Old Masters to make work those forerunners would struggle to recognize. Giotto would probably be mystified by “Painting With Pencils,” Levine’s show at Gallery Neptune and Brown. But it features a set of large drawings based on one of the proto-Renaissance painter’s masterpieces, the interior of Padua’s Scrovegni Chapel.”

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