The Washington Post reviews Michael Craig-Martin at gallery neptune & brown
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“A longtime Londoner who spent much of his childhood in Washington, Michael Craig-Martin is probably best known for “An Oak Tree,” a 1973 conceptual work that doesn’t actually feature an oak tree. The screen prints in Gallery Neptune & Brown’s “Quotidian: Recent Editions” are rather more literal. These coloring-book-style renderings — sometimes filled in with bright, simple hues — depict everyday items with the precision of technical drawings. No ambiguity, of either technique or interpretation, is permitted.”

Click here to read the full Washington Post exhibition review of Michael Craig-Martin's Quotidian by Mark Jenkins.